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Annenberg Users

RICHARD PERRY UNIVERSITY PROFESSOR OF COMMUNICATION, AFRICANA STUDIES AND ANTHROPOLOGY
Ethnographic methods in media analysis. Impact of mass media on urban life. Mediamaking as a form of community-building and proselytizing among religious organizations. Globalization and the remaking of ethnic/racial diasporas. Visual studies and theories of reality. Racialization and media technology.
John L. Jackson, Jr., is the Richard Perry University Professor of Communication, Africana Studies, and Anthropology in the Standing Faculty of the Annenberg School for Communication and the Standing Faculty of the School of Arts and Sciences. Before coming to Penn, Jackson taught in the Department of Cultural Anthropology at Duke University in Durham, North Carolina, and spent three years as a Junior Fellow at the Harvard University Society of Fellows in Cambridge, Massachusetts. Jackson received his B.A. in Communications (Radio, TV, Film) from Howard University in Washington D.C. and his Ph.D. in Anthropology from Columbia University in New York City. As a filmmaker, Jackson has produced a feature-length fiction film, documentaries, and film-shorts that have screened at film festivals internationally. His research has been funded by the National Science Foundation, the Ford Foundation, Harvard University's Milton Fund, and the Lilly Endowment (during a year at the National Humanities Center in Research Triangle Park, North Carolina). He has published three books, Harlemworld: Doing Race and Class in Contemporary Black America (University of Chicago Press, 2001), Real Black: Adventures in Racial Sincerity (University of Chicago Press, 2005), and Racial Paranoia: The Unintended Consequences of Political Correctness (Basic, 2008), released in paperback in 2010. Jackson is currently writing a book on global Black Hebrewism (under contract with Harvard University Press). He is also working on two documentary films, one about contemporary conspiracy theories in urban America, and another examining the history of state violence against Rastafari in Jamaica.
CURRENT PROJECTS
Black Judah: Race, Gender and the Twelve Tribes of Transnationalism
Focusing on the transatlantic flow of practitioners, religious beliefs, and cultural practices, my next ethnographic project examines how Black Hebrew Israelites in New York City, Washington D.C., and Dimona (Israel) construct a globally diverse spiritual subjectivity with its own particular iteration of Black Diasporic possibility. Fieldwork is currently ongoing with Black Jews in the United States and Israel. The academic years 2006-2008 will be devoted to completing the U.S. research and to more substantial ethnographic fieldwork with Black Hebrews in Israel.
Televised Redemption
Marla Frederick (Harvard), Carolyn Rouse (Princeton), and I are co-authoring a book that discusses qualitative research methods for studying contemporary black religious groups. It includes a special emphasis on the ways in which African-Americans deploy media technology as part of their religious/spiritual communities. Professor Frederick's contribution focuses on Christianity and televangelism. Dr. Rouse concentrates on Muslim self-representations in film and broadcast radio/television. I highlight how a particular segment of the Black Jewish community (in the United States and abroad) uses cable access programs, self-produced DVDs/CDs, and the internet to create a transnational spiritual/ethnic community. We plan to finish a rough version of this manuscript by late 2013.
COURSES TAUGHT
Africana Studies Proseminar (graduate course), Fall 2009, Fall 2010
The Filmic (graudate course), Spring 2010
Media Ethnography: Theory and Practice (graduate course), (Fall 2006)
Public Interest Social Science, co-taught with Sanday, Delli Carpini, and Todd Wolfson (Fall 2006)
Film and Reality: Toward an Anthropology of the Real (Spring 2007)
Anthropology of the Mass Media (Fall 2007) Africana Studies Proseminar (graduate course), co-taught with Deborah A. Thomas (Fall 2007) Race: History, Theory and Practice (Spring 2008) Race Films: Spike Lee and his Interlocutors, co-taught with Salamishah Tillet (Fall 2008) The Ethnographic Imagination (graduate course), (Spring 2009)
PUBLICATIONS
BooksRacial Paranoia: The Unintended Consequences of Political Correctness Real Black: Adventures in Racial Sincerity, University of Chicago Press, 2005. Racial Americana (editor, special sssue of The South Atlantic Quarterly, Duke University Press, 2005). Harlemworld: Doing Race and Class in Contemporary Black America, University of Chicago Press, 2001. (Paperback release, June 2003).
Articles and Chapters"Gentrification, Globalization, and Georaciality," contributed to Globalization and Race: Transformations in the Cultural Production of Blackness, eds., Kamari Clarke and Deborah A. Thomas (forthcoming, Duke University Press, 2006). "A Little Black Magic," The South Atlantic Quarterly, 104(3): 1-13, July 2005. "An Ethnographic Filmflam: Giving Gifts, Doing Research, and Videotaping the Native Subject/Object," American Anthropologist 106(1): 32-42, March 2004. "Birthdays, Basketball, and Breaking Bread," (a chapter from Harlemworld) reprinted in Lee D. Baker, ed., Life in America: Identity and Everyday Experience, Blackwell, 2004. "Abandoning Advertisements over Edificial Ekphrases," The Journal of Visual Culture, 2(3): 341-352, December 2003. "Undoing Harlemworld: An Anthropological Argument about Diasporic Disasters," Revolutions of the Mind: Cultural Studies in the African Diaspora Project, 1996-2002, CAAS Publications, 2003. "Towards an Ethnography of a Quotation-Marked-Off Place," Souls: A Critical Journal of Black Politics, Culture and Society, Westview Press, Spring 1999. (Reprinted in Manning Marable, ed., Souls: The New Black Renaissance, Paradigm Press, 2006.) "Ethnophysicality, or An Ethnography of Some Body," Soul: Black Power, Politics, and Pleasure, edited by Richard Green and Monique Guillory, New York University Press, 1998. "The Soles of Black Folk: These Reeboks Were Made for Runnin' from the White Man," Race Consciousness: African American Studies for the 21st Century, edited by Judith Jackson-Fossett and Jeffrey Tucker, New York University Press, 1997. "Dreadlocks and Yarmulkes: Cultural Clashes in Crown Heights," FOCUS, published by The Joint Center for Political and Economic Studies. Washington, D.C., Fall 1992.
Media Productions
Associate Producer, Harlem Stories (Non-Fiction) IN PRODUCTION
• National Black Programming Consortium, start-up funds
Writer, Producer, Director, Religio (Fiction/Non-Fiction) IN PRODUCTION
Producer, African-Americans and the Bible (Non-Fiction) IN POST-PRODUCTION
Producer, Divided We Stand, a 90-minute, 16mm Film (Fiction) COMPLETED
• Eastman Kodak Pre-Production Award, 1996
• Second Best Feature: Black Filmmakers Hall of Fame Festival, Oakland, 1998
• Official Selection: The 7th Annual Pan-African Film Festival, Los Angeles, 1999
• Third Prize, Best Feature: The Hollywood Black Film Festival, Los Angeles, 1999
Producer, The Sight, a 15-minute, 16mm Film (Fiction) COMPLETED • Official Selection: Martha’s Flava Fest Film Festival, Martha’s Vineyard, 1998
Producer, Stompin’ Down at Suga Love’s, a 20-minute, 16mm Film (Fiction) COMPLETED
• Official Selection: Rotterdam International Film Festival (Amsterdam), February 2000
• Official Selection: Raindance Film Festival (London), October 2000
Co-Writer, -Producer, -Director, Get it Together, a 30-minute video (Non-Fiction) COMPLETED
• Audience’s Choice Award, Black Producers’ Consortium, 1993
• Silver Apple Award, National Education Film and Video Festival, 1993
• Best Student Documentary, North American Association of Environmental Educators
Radio
Talk Show Host, The Jackson Attraction Radio Show, WNYE, 91.5 FM, New York
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Dr. Jackson on Video
Current
Research Dr.
Jackson on his book, "Racial Paranoia"
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