Communication 130
Professor Joseph
Turow
Final Exam
Tuesday
December 16
9AM
IN THIS ROOM
PAPER:
Due Tuesday
Aim of this class:
The movie
industry
Despite the Fin-Syn drawbacks, ABC, NBC and CBS were flying high in the
1970s.
But a technology
was in the wings that would begin to tear away at broadcast TVs dominance.
The technology was coaxial cable.
The technology
was coaxial cable.
Rise of Cable TV
Coaxial cable was
not really a new technology in the 1970s.
Early uses as
CATV
Beginning in the
late 1970s, the
FCC started assigning a large number of new, mostly UHF, broadcast TV
licenses.
As a result, the
number of "independent" TV broadcasters soared.
The early 1980s
saw the start of a raft of new satellite-delivered television channels.
As the number of
cable channels grew, so did the number of broadcast outlets.
The
Telecommunications Act of 1996 got rid of the fin/syn
rules.
In the 1990s,
Twentieth Century Fox and Disney owned, while Paramount and Warner had
small-scale broadcast operations.
Perhaps most
important to Hollywood's link to television of all sorts was its reputation for
creating popular programming.
Ironically, the Hollywood
film industry, which fifty years earlier had pretended that TV would go away,
was deeply involved in this new era.
Movie powerhouses
and VCRs
Rise of Fox & other
new networks.
Spread of the
video cassette recorder (the VCR) and direct-to-home satellite services.
Use of computer
services.
Competition for
viewers between producers and distributors increased enormously.
The movie
industry today
Theatrical Still
the Launchpad
The Television Industry
An overview of
the TV industry
TV broadcasting
Cable services
Satellite
services
TV Broadcasting
VHF / UHF
Commercial /
Noncommercial
Networks Big 4, CW, MyNetworkTV,
Pax
Univision and Telemundo
Network
affiliates
Station groups
Cable &
Satellite
Dual revenue
streams
Cable MSO
Cable nets or,
subscription nets
The RBOCS
DBS
HDTV
Production in the
TV industry
Producing the
lineup on cable & satellite
License fees
Tiers
Basic
Enhanced basic
Digital
PPV
VOD
Producing the
broadcast channel lineup
Movement to
digital TV 2009, gives local broadcasters as many as 4 channelschannel
multiplexing
Allows HDTV
Producing
individual channels
Determining the
intended audience
The competition
Available pool of viewers
The interests of sponsors
The costs of relevant programming
Ratings
People meter
Diaries
Sweeps
HH, 18-49
New C3 ratings
system
Preparing a
Schedule
Day parts
Prime time
Series
Lead-in,
sampling, lead-out
Hammock
Producing
individual programs
Pitches and
formulas
Treatment
Format of a show
Concept testing
Pilot
Preview theaters
Licensing a show
Distribution
Network
Syndication new
and off-network
Stripping
International
distribution
Challenges to Traditional
Production and Distribution
Competitors to TV
time: videogames, internet, DVD player, DVR
Nets responding by-
Insisting on DVR
ratings
Allowing cable to
program VOD
Putting shows on
web
DVD box sets
Short versions on
mobile